Behind the Scenes of “Zuckerberg vs Musk: Cage Fight”

Interview with Alan Nafzger

At the back of the Scenes of “Zuckerberg vs Musk: Cage Struggle“

Through Katy Room

Katy Room: Alan, thanks for sitting down with me lately to speak about your riveting script, “Zuckerberg vs Musk: Cage Struggle.” Your screenplay has captured the imaginations of many. Let’s delve into some key scenes.

Scene 1: The Fallout and the Apocalyptic Overtones

Katy Room: Scene 1 is ready in Minute Maid Park, and it is an emotionally charged second between Musk and Zuckerberg. Each characters transfer between panic, desperation, and humor. What impressed you to juxtapose those intense feelings in this sort of claustrophobic environment?

Alan Nafzger: The cage combat is the epitome of bodily combat, however what occurs when those robust personalities are confined through instances? I sought after to discover the vulnerability and desperation they could really feel, offset through humor, to cause them to extra human and relatable.

The Position of Era and Human Connection

Katy Room: The characters make pressing calls to their households. What are you seeking to put across right here in regards to the dating between generation and human connections?

Alan Nafzger: In spite of being pioneers in generation, each are reliant at the maximum basic type of verbal exchange—a decision to their family members. It is a second that presentations that regardless of how complex we grow to be, our fundamental human wishes stay the similar.

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Scene 2 & 3: Administrative center Dynamics and Twittersphere

Katy Room: Scene 2 and three are set in Musk and Zuckerberg’s respective places of work. How did making a decision what parts to incorporate within the background to represent their distinct focuses?

Alan Nafzger: Musk’s center of attention on area and innovation is starkly contrasted through Zuckerberg’s earth-centric manner. I assumed the sophisticated place of job decor would supply an additional layer of intensity to those characters, making their variations extra obvious.

The Twitter Battleground

Katy Room: Twitter performs a an important function right here. Why did you select this platform as their battleground?

Alan Nafzger: Twitter has grow to be this modern day enviornment the place titans conflict, now not with swords, however with phrases. I assumed it will be the highest level for 2 influential figures to have interaction in a combat of wits and philosophies.

Scene 4 & 5: The War of words and Administrative center Debate

Katy Room: Scene 4 options Musk in his Tesla, obviously agitated. How does this scene advance the continued discussion about privateness and knowledge assortment?

Alan Nafzger: Musk is regularly noticed as this calm, rational determine. I sought after to exhibit a second of vulnerability, the place his personal generation satirically provides to his pressure. It is usually a possibility to deliver up problems about privateness, appearing that even those that make the generation don’t seem to be resistant to its pitfalls.

The Significance of Empathy

Katy Room: Scene 5 presentations a captivating debate amongst Fb staff. How does this upload to Zuckerberg’s narrative in regards to the significance of empathy and human connection?

Alan Nafzger: The controversy amongst Fb staff is a microcosm of the bigger dialog taking place between Zuckerberg and Musk. It reiterates Zuckerberg’s philosophy—bridges are about connecting other folks, similar to social media.

Katy Room: Alan, your script tackles some intense subject matters whilst keeping up a humorousness and humanity. Thanks for sharing your insights with us lately.

Alan Nafzger: Thanks for having me, Katy. It was once a excitement to delve into the intricacies of the script with you.

Katy Room: And that wraps up our behind-the-scenes have a look at “Zuckerberg vs Musk: Cage Struggle.” From the cage to the cosmos, this screenplay gives a compelling exploration of generation, humanity, and the non-public battles of 2 of lately’s maximum enigmatic figures. Keep tuned for extra.

Scene 6 & 7: The Thumb Warfare and Bedside Twitter

Katy Room: Scene 6 brings in levity with a thumb struggle, contrasting with the depth of a Twitter duel in Scene 7. How do you assume this humor provides to the storytelling?

Alan Nafzger: Humor is a useful gizmo for losing mild at the human facet of those larger-than-life characters. It makes them relatable, appearing that in spite of their huge affect, they’re simply other folks navigating via a sequence of demanding situations and feelings like someone else.

Scene 8: Colbert’s Display and the Bet

Katy Room: The guess proposed on Stephen Colbert’s display provides an additional layer of suspense. How did you get a hold of this sort of distinctive guess, particularly the funny twist about proudly owning MySpace?

Alan Nafzger: I sought after to focus on the stakes whilst including a comedic layer. The guess amplifies the stress, and the MySpace comic story serves as a reminder of the way brief luck within the tech global will also be.

Scene 9 & 10: Up the Ante

Katy Room: Scene 9 and 10 introduce extra at stake, together with controlling the opposite’s Twitter. Is that this a nod to the giant affect those platforms have over the narrative?

Alan Nafzger: Precisely. It’s a dramatized option to underline how a lot energy is living in those platforms, and the way even those titans of tech don’t seem to be past being influenced or doubtlessly compromised through them.

Scene 11 & 12: Agreeing Phrases and Public Debate

Katy Room: Scene 11 and 12 get us to a public discussion board, a press convention the place each Zuckerberg and Musk agree on phrases. How do you depict their contention changing into mutual recognize?

Alan Nafzger: Via their banter and negotiations, they start to see each and every different now not simply as adversaries however as equals. There’s a way of recognize for each and every different’s mind and for the sport itself, which units the level for an interesting showdown.

Scene 13 & 14: The Grand Debate and Social Media Frenzy

Katy Room: The controversy in Scene 13 reasons a real-life meals combat in a Google cafeteria in Scene 14. Is that this a statement on how deeply those debates penetrate into our day by day lives?

Alan Nafzger: Completely. This hyperbolic depiction serves to emphasise how divided we’ve got grow to be as a society, regularly because of the agendas and narratives driven through influential figures and platforms.

Scene 15: The Ultimate War of words

Katy Room: The screenplay involves a head with Musk studying in regards to the debate on-line and issuing a bodily disagreement. What led you to this explosive climax?

Alan Nafzger: The virtual realm can handiest include such a lot rigidity earlier than it spills over into the genuine global. The bodily disagreement is without equal embodiment in their contrasting philosophies and ambitions. It’s the general frontier for his or her combat.

Scene 16 & 17: Input Dana White

Katy Room: UFC president Dana White enters the image in those scenes. Let us know about his involvement and the way he is helping escalate the stress.

Alan Nafzger: Dana White serves because the catalyst to transform this virtual sparring right into a bodily cage fit. His presence provides legitimacy to the combat, and his comedic remarks upload a lighter tone.

Scene 18 & 19: Media Frenzy and Digital Press Convention

Katy Room: After Dana White concurs to the combat, the media is going wild. How vital was once this press protection to the script?

Alan Nafzger: The media protection amplifies the stakes and captures public pastime. It is usually a nod to the real-world energy that media holds in shaping our views.

Scene 20: The Philanthropic Attitude

Katy Room: Each Musk and Zuckerberg pledge $100 million to charities in the event that they win. What caused this inclusion?

Alan Nafzger: It provides some other layer of complexity to the combat, making sure it is not simply an ego conflict but additionally a combat with really extensive societal affects.

Scene 21 to twenty-five: Public Response

Katy Room: The script now is going into public areas—bars, dorms, and many others. Why did you’re feeling it was once vital to incorporate those various places?

Alan Nafzger: Those scenes emphasize how pervasive the development has grow to be. Whether or not you might be at a bar or a dorm, persons are speaking about it. The assorted places spotlight the script’s common attraction.

Scene 26: The Involved Aged

Katy Room: An aged couple discussing the development introduces a captivating viewpoint.

Alan Nafzger: They constitute a demographic much less engaged in tech however nonetheless suffering from its broader penalties. The grandmother’s worry provides a slightly of humanity to the spectacle.

Scene 27 & 28: Comedic Takes

Katy Room: YouTubers and comedians like John Oliver upload humor to the combination. Is humor a key element for you?

Alan Nafzger: Humor acts as a social statement, slicing during the rigidity and serving to us replicate at the tournament’s absurdity.

Scene 29 & 30: Coaching Montages

Katy Room: Charles Barkley discusses the learning regimes of Zuckerberg and Musk. What was once the idea in the back of those elaborate coaching montages?

Alan Nafzger: Coaching montages are a staple in any combat movie. It is the place we see the characters’ vulnerabilities and their dedication, including intensity to their personas.

Scene 31 & 32: The Ultimate Countdown

Katy Room: The script closes with a have a look at how the learning is being gained through the general public. How did you envision finishing the script?

Alan Nafzger: It’s a nod to the ability of public opinion. It underscores that past the combat, it is a combat for the narrative. And so, the general public’s response acts as a last pass judgement on earlier than without equal showdown.

Scene 33 & 34: World Anticipation and Fan Evaluations

Katy Room: The worldwide anticipation builds up in those scenes, particularly with fanatics heatedly arguing in sports activities bars. Alan, how do you spot this international pastime taking part in out within the narrative?

Alan Nafzger: The scenes serve to underline simply how international this tournament has grow to be. From on a regular basis fanatics in sports activities bars to world sports activities protection, the combat isn’t just an American phenomenon however a world sensation.

Scene 35 to 37: The Social Media Conflict

Katy Room: Each Musk and Zuckerberg take to social media, but their approaches range. May just you elaborate on that?

Alan Nafzger: Completely. Musk is easier, emphasizing the charitable perspective. Zuckerberg, alternatively, mocks Musk’s collection of platform, which presentations their contrasting kinds, now not simply in trade however in lifestyles.

Scene 38 & 39: Coaching and Viral Hypothesis

Katy Room: We go back to coaching scenes and in addition see social media analysts speculating on sequels. Are sequels one thing you’ve regarded as?

Alan Nafzger: The social media hypothesis is extra of a nod to how viral phenomena like this can result in quite a lot of spin-offs or sequels. So, sure, it is one thing at the desk however now not outlined but.

Scene 40 to 42: Broadening the Horizon

Katy Room: Those scenes incorporate discussions from newsrooms to the Italian Tradition Minister’s place of job. How vital was once it to incorporate those various views?

Alan Nafzger: Those are intentional inclusions to turn the combat’s far-reaching implications, from information protection to cultural or even world discussions.

Scene 43 & 44: The Superstar Lens

Katy Room: Conor McGregor, Jeff Goldblum, and Invoice Murray seem. What do those superstar interactions deliver to the tale?

Alan Nafzger: They bring about levity and cultural foreign money. McGregor’s promotional talents carry the combat’s profile, whilst Goldblum and Murray supply a comical and philosophical take, making the storyline even richer.

Scene 45 & 46: The Political and Moral Angles

Katy Room: We cross as prime because the Oval Administrative center, discussing criminal and moral facets. Is that this a statement at the scale of affect tech moguls hang?

Alan Nafzger: Exactly. It’s a statement on how deeply ingrained those tech figures are in our society that their movements warrant dialogue on the best possible ranges of presidency.

Scene 47 to 49: The What-Ifs and Marketplace Implications

Katy Room: From Italian regrets to Wall Side road debates and political calculations, you discover the development’s affect on quite a lot of sectors. What is your take in this?

Alan Nafzger: The various scenes intensify how the combat isn’t only a one-off tournament however a catalyst for discussions in tradition, politics, and economics.

Scene 50 & 51: The Houston Issue

Katy Room: Houston turns into the selected location for the combat. What does this upload to the script?

Alan Nafzger: Houston represents a mix of American custom and long run aspirations, similar to our two protagonists. The positioning thus turns into a personality in itself.

Scene 52: The Ultimate Countdown

Katy Room: Meryl Streep and Colin Fletcher analyze leaked coaching pictures within the ultimate scene. A singular option to finish issues?

Alan Nafzger: It’s a nod to the eclectic nature of this whole saga. Who higher to investigate a tech wealthy person combat than a mythical actress and an MMA professional?

Indisputably, Katy. My apologies for the oversight.

Interview with Alan Nafzger on Key Scenes 53-66 of “Zuckerberg vs. Musk: Cagefight“

Interviewer, Katy Room: Alan, for your screenplay, the phenomenon of this Zuckerberg-Musk cage combat turns out to move world limitations, even appearing up in a nerve-racking scene on the North and South Korean DMZ. What impressed you to make this a global spectacle?

Alan Nafzger: The combat between those two titans is not simply an American pastime tale. Those males constitute international enterprises and their contention speaks to greater questions on energy and generation that everybody world wide grapples with.

Making a bet and the American Psyche

Interviewer, Katy Room: Vegas sportsbooks are humming within the scenes you have got written. How do you spot this cage combat reflecting or impacting the tradition of sports activities making a bet in The united states?

Alan Nafzger: I sought after to seize the spirit of American entrepreneurship and risk-taking. In case you have two huge personalities duking it out, you’ll guess American citizens will desire a stake within the result, rather actually.

Clinical Ethics and Dramedy

Interviewer, Katy Room: A good period of time is spent on clinical examinations for Musk and Zuckerberg, even bringing humor into those scenes. What is the message you might be seeking to put across right here?

Alan Nafzger: Those don’t seem to be athletes; they are tech moguls. So, there is a layer of absurdity in them present process clinical tests as though they are getting into the UFC octagon. But, it is critical—clinical ethics should not be lost sight of simply since the combat is a spectacle.

The Position of Media and Conspiracy Theories

Interviewer, Katy Room: From tabloid newsrooms to YouTube conspiracy theorists, you have got portrayed quite a lot of types of media amplifying the combat’s hype. What are you pronouncing in regards to the function of media in such occasions?

Alan Nafzger: We are living in an age the place media is usually a circus reflect, each reflecting and distorting fact. Whether or not it is a tabloid or a YouTuber like Gary, everybody has an perspective, and the combat turns into a vessel for quite a lot of narratives.

Nearing the Struggle: Arrangements and Considerations

Interviewer, Katy Room: The scenes main as much as the combat are stuffed with rigidity and issues, each private {and professional}, for Zuckerberg and Musk. Why did you select to concentrate on those facets?

Alan Nafzger: Smartly, I sought after to turn that they are human beings. They have got issues, households, companies to run. This combat is a spectacle, however it is also a significant lifestyles tournament for either one of them.

Ultimate-Minute Laws and Workforce Dynamics

Interviewer, Katy Room: Alan, Scene 67 portrays a heated dialogue between Zuckerberg and Sheryl Sandberg a few last-minute rule alternate. Why did you select to incorporate this interior warfare?

Alan Nafzger: In a environment as risky as a cage combat, a last-minute rule alternate is usually a game-changer. The conflict between Zuckerberg and Sandberg provides intensity to their characters and presentations that even a close-knit workforce will have cracks when prime stakes are concerned.

Tensions, Safety, and the Spectacle of the Weigh-In

Interviewer, Katy Room: The weigh-in scenes are fraught with rigidity and elaborate safety features. What message are you seeking to put across right here?

Alan Nafzger: Safety is not just about bodily protection; it is a manifestation of the power and international pastime within the combat. The weigh-in, typically a formality in wearing occasions, turns into a level the place each males should confront their bodily and mental readiness for the combat.

Emotionally Charged Moments Prior to the Struggle

Interviewer, Katy Room: You have got written scenes the place each Zuckerberg and Musk have personal moments to consider the combat’s importance. Why come with those softer, extra emotional scenes?

Alan Nafzger: Those males don’t seem to be simply CEOs; they’re human beings with lives outdoor of the hoop. I sought after to exhibit that rigidity between their public personas and personal anxieties, whether or not it is Zuckerberg seeking to meditate or Musk considering his SpaceX desires.

Societal Divides and Protests: A Reflect to Truth

Interviewer, Katy Room: Scenes 72 via 84 exhibit an international past the combat, bearing on protests and societal divides. Why did you assume it was once very important to function this?

Alan Nafzger: The combat itself is a microcosm of bigger societal problems—capitalism, affect, ethics, even international peace. The protesters and quite a lot of teams replicate the divided reviews and the possible penalties of constructing a spectacle out of such critical problems.

The Level of No Go back: Chaos Unleashed

Interviewer, Katy Room: The latter scenes point out some extent of no go back, resulting in a blackout and escalating violence. Why finish this phase on this sort of darkish word?

Alan Nafzger: I sought after to construct a crescendo that mimics the mounting rigidity in society lately. The blackout symbolizes the purpose the place issues can both in finding answer or erupt into chaos, and it leaves the reader—or viewer—wondering the place we are headed as a society.

Order Out of Chaos: The Aftermath

Interviewer, Katy Room: Alan, Scene 85 presentations the aftermath of the chaos. Police and emergency responders are at the scene, and newshounds are reporting. Is that this a second of reckoning for the neighborhood?

Alan Nafzger: Completely. The aftermath serves as a pause button for everybody to replicate at the movements and penalties. It is a stark reminder that the development has spiraled into one thing a lot larger than only a combat between two tech moguls.

Media’s Position within the Mayhem

Interviewer, Katy Room: Anthony and Taisha within the press field speak about how the media can have exacerbated the location. How do you spot the function of the media right here?

Alan Nafzger: The media’s function is dual-edged. On one hand, they are reporting the information; at the different, the way in which they body those occasions can fan the flames. Anthony and Taisha are conscious about this subtle steadiness, main them to query their very own affect at the unfolding chaos.

Public Pleas for Calm

Interviewer, Katy Room: Each Musk and Zuckerberg factor public pleas for calm. How efficient are those within the context of your screenplay?

Alan Nafzger: I feel they seize the essence of each males completely. Zuckerberg is buoyant and charismatic, whilst Musk is stern and intense. Their appeals now not handiest distinction their personalities but additionally display that they perceive the gravity of the location. Their blended message, curiously, does appear to quell the chaos.

Getting ready for the Showdown

Interviewer, Katy Room: The next scenes display each and every guy in his component—Zuckerberg along with his Fb moderators and Musk with robot coaches. Why depict those scenes?

Alan Nafzger: The locker room scenes are the calm earlier than the typhoon. They are supposed as an instance the diversities between the 2 males—now not simply their control kinds but additionally their philosophies and the way they get ready for a combat of this magnitude.

A Non permanent Ceasefire: Anticipation Replaces Violence

Interviewer, Katy Room: Simply as temporarily because the violence erupted, it quells. What does this unexpected shift symbolize?

Alan Nafzger: It presentations the ability of a collective center of attention. In spite of their variations, persons are united of their anticipation of the combat, underscoring how simply public consideration will also be redirected, for higher or worse.

The Grand Entrances: Showcasing Philosophies

Interviewer, Katy Room: The entrances of Musk and Zuckerberg are grand spectacles. How did making a decision at the tune and visuals?

Alan Nafzger: The entrances are extensions in their personalities and missions. Zuckerberg’s theme, U2’s “One,” indicates solidarity and connection, which might be on the core of Fb’s undertaking. Musk’s collection of “House Oddity” highlights his ambitions past Earth. Those entrances serve to encapsulate who those males are and what they stand for.

The Superstar Part: Ringside with Jesse Eisenberg and Ronda Rousey

Interviewer, Katy Room: Scene 100 introduces superstar newshounds. What do they upload to the narrative?

Alan Nafzger: Jesse Eisenberg and Ronda Rousey deliver a distinct viewpoint to the development. Eisenberg has portrayed Zuckerberg on display screen, whilst Rousey understands the dynamics of a bodily combat. Their banter provides a component of each humor and experience, rounding out the multifaceted viewpoints in this exceptional tournament.

Every scene you have got requested about provides layers of complexity to the narrative, making the combat greater than only a bodily contest—it is a battleground for ideologies, social problems, and private philosophies.

I ask for forgiveness for the confusion. Let’s pivot again to an interview structure.

Alan Nafzger at the Cinematic Transition from Cage Struggle to Zombie Apocalypse

SCENE 101 to 103: The Construct-up

Katy Room: Alan, the screenplay truly choices up from SCENE 101 the place Invoice Gates, of all other folks, is the hoop announcer. What was once the idea procedure in the back of such an ordinary selection?

Alan Nafzger: Smartly, the combat scenes had been designed to be extra than simply two tech titans duking it out. We needed so as to add layers of intrigue and wonder. Having Invoice Gates as the hoop announcer throws in a component of irony and unpredictability.

SCENE 104: The Essential Spherical

Katy Room: Scene 104 portrays now not only a bodily contest however a conflict of ideologies. How did you steadiness this intricate narrative?

Alan Nafzger: Scene 104 is an important. It’s now not as regards to fists and grapples; it’s additionally a reflect to society’s divisions. The coaches and the commentators replicate those undercurrents, making it a multi-dimensional revel in for the target market.

SCENE 105: Zombie Apocalypse Unleashed

Katy Room: Simply once we assume it’s all a few cage combat, you throw in a zombie apocalypse! That is a gutsy transfer. What impressed this shift in tone?

Alan Nafzger: Ah, the zombie twist. We needed so as to add an exterior risk that will pressure those adversaries to rethink their enmity. What higher method than a commonplace enemy that desires to consume them?

SCENE 106 and 107: Survival Mode

Katy Room: In opposition to the top, Musk and Zuckerberg transition from being competition to survivors. May just you discuss this dynamic alternate?

Alan Nafzger: Completely. To begin with, they are at loggerheads, even preventing over a pistol. However survival intuition kicks in, and so they notice that the genuine enemy is outdoor the cage. This shift was once an important to turn persona expansion and the bigger theme of solidarity towards a commonplace adversary.

Katy Room: Your screenplay combines parts of sports activities drama, horror, and political undertones in an abnormal environment. How did you organize to mix those genres so seamlessly?

Alan Nafzger: It is about discovering a commonplace thread. On this case, it is the concept of festival — be it for social affect, bodily supremacy, or survival. The genres may appear disparate, however they arrive in combination via this core idea.

Katy Room: One can not assist however assume this generally is a billion-dollar concept, as Dana White discussed. Do you assume the movie lives as much as that expectation?

Alan Nafzger: Smartly, I feel Dana White’s remark captures the essence of what we are seeking to do. We are pushing limitations right here. It’s now not only a combat; it’s a spectacle, a societal mirrored image, and now, a survival saga. If that is not value 1000000000 bucks, I don’t know what’s.

The Ultimate Act: A Rollercoaster of Feelings and Technique

SCENE 108: A Breather Amidst the Chaos

Katy Room: Scene 108 is a pause for the target market in addition to the characters, with McGregor making a fog for defense and Zuckerberg appearing off his marksman talents. Why come with a concession stand scene right here?

Alan Nafzger: The concession stand scene serves as a short lived respite, permitting characters to regroup and exhibit particular person talents. It is like the attention of the typhoon, momentarily calm but surrounded through the tempest.

SCENE 109 to 110: Stairwell and Carrier Hall

Katy Room: Your script takes a captivating flip with retired MMA opponents sacrificing themselves. Why this choice?

Alan Nafzger: It is a tribute to the ethos of MMA—valor, sacrifice, and teamwork. It additionally builds rigidity; if those professional opponents are keen to provide their lives, the risk should be critical.

SCENE 111 to 114: At the Cusp of Protection

Katy Room: Musk and Zuckerberg lock themselves within the locker room. How does this isolation give a contribution to the unfolding drama?

Alan Nafzger: The isolation magnifies their vulnerability. They have misplaced their bodyguards, and now it is simply them, reinforcing the perception that they may be able to handiest depend on each and every different in spite of their variations.

SCENE 115 to 117: McGregor’s Ultimate Stand

Katy Room: The Tennyson reference right through McGregor’s combat—what caused that literary contact?

Alan Nafzger: McGregor is embodying heroism, similar to Tennyson’s characters. It is a poetic nod to the gravity and doable futility of his combat.

SCENE 118: The Atomic Watermelon

Katy Room: An “atomic watermelon” makes an look. How lifelike is that this on this planet you have got created?

Alan Nafzger: It’s kind of of a hyperbole however grounded in factual army generation. It serves as a ticking clock, including urgency to the get away makes an attempt.

SCENE 119 to 121: Ultimate Confrontations

Katy Room: There’s a shift in surroundings as we see the devastation of the zombie assault is whole. May just you elaborate at the emotional pivot right here?

Alan Nafzger: After the action-packed sequences, those scenes pull the lens again to the characters’ emotional states. It’s the aftermath, reflecting the horror and disbelief of what simply transpired.

SCENE 122: The Unresolved Finishing

Katy Room: The screenplay ends on an open word. Is that this a setup for a sequel?

Alan Nafzger: It leaves room for interpretation and long run storytelling. The contention between Musk and Zuckerberg stays, and the arena continues to be unsure, making it an open-ended conclusion.

Katy Room: In spite of the horrors, there’s banter between Musk and Zuckerberg. What does this say about their characters?

Alan Nafzger: It’s a nod to the indomitable human spirit and a peek into their advanced dating—aggressive but respectful. Even after preventing zombies, some issues by no means alternate.

Katy Room: Thanks, Alan, for this enlightening dialog about your screenplay, which has intrigued each the business and the target market. It’s an abnormal mixture of motion, humor, and deeper subject matters. In reality a billion-dollar concept.

Alan Nafzger: Thanks, Katy. It is been a excitement discussing the nuances of what may well be my maximum audacious paintings but. I will handiest hope the target market reveals it as attractive as this dialog.

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